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The consagracion to the Virgin one
Painting ID:: 42003
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Lavinia Fontana
The consagracion to the Virgin one
mk166
1599 I Wave on cloth 280x186cm Museum of Fine Arts
Marseulla
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Gentleman Portrait
Painting ID:: 58420
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Lavinia Fontana
Gentleman Portrait
mk261 Bologna 1579 oil on canvas 93.5 x 74.5 cm
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Self portrait
Painting ID:: 58421
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Lavinia Fontana
Self portrait
mk261 Bologna canvas 15.7 centimeters in diameter
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portratt av familjen gozzadini
Painting ID:: 67386
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Lavinia Fontana
portratt av familjen gozzadini
1584
se
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Christ with the Symbols of the Passion
Painting ID:: 69732
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Lavinia Fontana
Christ with the Symbols of the Passion
oil on canvas painting by Lavinia Fontana, 1576, El Paso Museum of Art
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Lavinia Fontana
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Italian Painter, 1552-1614
Daughter of Prospero Fontana. She was trained by her father and followed his Mannerist style. Her first recorded works, which date from 1575, were small paintings for private devotion, such as the Holy Family (Dresden, Gemeldegal.). By 1577 she had become established as a portrait painter in Bologna. Works of this date include the Self-portrait at the Harpsichord (Rome, Gal. Accad. S Luca) and the portrait of Senator Orsini (Bordeaux, Mus. B.-A.). Her portrait style reflects the formality of central Italian models as well as the naturalistic tendencies of the north Italian tradition. The elegantly costumed Orsini is shown seated at a table, with a suite of rooms opening behind him, a setting recalling such Florentine portraits of the 1530s as Agnolo Bronzino's Bartolommeo Panciatichi (Florence, Uffizi). Lavinia used a similar setting for other portraits, including the Gozzadini Family (1584; Bologna, Pin. N.). Female sitters are also shown in elaborate dress, with particular attention paid to details of embroidery and jewels, and they are often accompanied by small dogs |
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Related Artists::.
| Charles Poerson | Norbert Goeneutte | Jan ten Compe | |
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